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Troy Pierce takes Chelonis Jones’s ‘Deer In The Headlights’ down an ominously dark direction. But the best remix here is Pierce, Heart Throb and Konrad Black’s version of ‘Mandarine Girl’, changing from the euphoric original into a prowling bassy affair.
Richard Brophy
Troy Pierce takes Chelonis Jones’s ‘Deer In The Headlights’ down an ominously dark direction. But the best remix here is Pierce, Heart Throb and Konrad Black’s version of ‘Mandarine Girl’, changing from the euphoric original into a prowling bassy affair.
Richard Brophy
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REVIEW: 2011-06-23
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This Warm December sounds like a few sleepy songs bashed out and recorded just for the sake of it.
2008-12-16
This two-disc charity covers album offers a little something for all musical tastes and a few laughs from FM104's breakfast show.
2008-12-03
A battle of wits and humour as well as musical talent, Duke Special and Neil Hannon put on quite a show in a musical face-off with no declared winner.
2008-10-29
Dublin is to get a new 12 Nights Of Christmas festival, which will be putting on shows in some of the city’s finest music emporiums.
2008-10-28
The ‘80s pop revival gathers apace with Nik Kershaw, T’Pau, Bananarama and – calm yourself ladies – Rick Astley making appearances in the Here and Now Christmas Party at the RDS in December.
2008-10-28
The line-up here is practically an argument for the extinction of mankind. I mean, Keane? Even on their own they’re worse than global warming.
2007-12-07
Clone impresses with this split release. Orgue Electronique’s ‘On A String’ is pure Chicago hedonism, the tight, doubling up claps setting the scene for a vicious 303 bass, while Legowelt’s subtle percussive twists and moody chords import the spirit of Nu Groove to Rotterdam.
2007-10-25
The standard rarely drops below decent, and there are sustained periods of excellence, too.
2007-09-10
The second split Spectral release sees James T Cotton bang the acid box, emitting low slung 303 emissions and heavy duty claps on ‘2 Keys’. He’s joined by noisemaker Mikael Stavostrand and Jonas Kopp’s version of Plan Tec’s ‘Espias Psiquicos’, a slamming analogue workout.
2007-07-20
Force Of Nature’s remix of Ana’s ‘Shift’ plants a heavy, pulsing backing underneath the Japanese pop band’s floaty melodies and fey guitar lines, but Ame’s ‘Tonight’ points to cosmic disco’s future, a blend of dubbed out drums and warm house keys.
2007-07-04
The fourth instalment sees Bee Low deliver menacing, bleepy minimalism and Antonelli and Norken & Deer conjuring up the kind of warm, widescreen chords and pads that modern techno has lacked for too long.
2007-07-04
The soundtrack for the previous Spiderman film had a strong thread of emo and hard rock running through it. This collection has moved more towards contemporary indie-rock.
2007-05-16
Alex Cortex launches the celebratory EP with the droning bass and razor sharp percussion of ‘Freakwave’ and Reade Truth dives to uncharted depths, with the spooky vocals and disjointed breaks of ‘Time To Accept’.
2007-04-30
A Tribute To should’ve been a godsend: a selection of Joni’s finest tunes, sung by a host of special guests. The reality, as one might guess from the diversity of the line-up, is a rather uneven record.
2007-04-11
‘I Gave You Away’ is a return to what Dear’s Audion project does best, teasing the grimiest, dankest sounds from his 303. It’s in good company here: Par Grindvik’s ‘Casio’ makes a nod to Neil Landstrum’s sheet metal ‘90s analogue techno and the organ riff at the centre of Bodycode’s ‘Exciting Ride’ is scarier than a weekend at Fred West’s.
2007-03-09
‘Tuning 4’ is all about subtlety: My My’s version of Duoteque’s ‘Amarcord’ starts off innocuously, but morphs into a wave of building, droning bass. Jens Zimmermann’s version of Maximilan Skiba’s ‘Rendez Vous’ is more restrained, featuring a female vocal spliced up with fractured beats.
2007-02-05
Combining new school Italo bombs like the Syd remix of Pauli vs. Tyrell’s ‘Little’ with hard to find remixes of Clone classics like Unit 4’s ‘Bodydub’, ‘Recloned’ is one for the newcomers and trainspotters alike.
2006-12-19
Mobilee surprises with this remix package: Sebo K turns GummiHZ’s ‘Isolate’ into a camp vocal-led Chicago track, and Prosumer steps back in time to rework Sebo K’s ‘Moved’ as a tweaked slab of analogue techno.
2006-10-26
You may think the Trenton guys are a bunch of scarf wearers fannying about on Macs in lofts in Mitte, but Till von Stein & Aera’s contribution seduces with Chicago claps and acid thunder, while Format B’s massive ‘Octopussy’ hits the listener with a junglist bassline.
2006-10-12
Worthy projects do not always make for interesting music, but this is quite an exception.
2006-04-12
Focusing on Motor City techno’s love of deep textures and marrying it with dubby German sparseness, the slamming yet evocative ‘Bloom’ by Keith Kemp and the chugging, hissing beats and dank acid on Ryan Crosson’s ‘Illusion’ are a fine blend of the old and the new.
2006-04-05
Jacek Sienkiewicz’s ‘Time Starts…’ gets the remix treatment. Etiop represents the harder, bleepier end of glitch. There’s also a broken beat remake from 3 Channels and Chilean producer Pier Bucci (pictured). He lays down orchestral strings over a moody backing. At last, it’s minimal house with a big pair of balls.
2006-03-22
Get a cross section of the Irish music industry to record/re-record tracks in their native tongue, thereby focusing the attention of the very group of people who hold the future of the language in their hands. It could have been awful, of course, a crass attempt to get down with the kids and make learning cool. Yet Ceol ‘06 manages to work on a number of levels.
2006-03-01
Not every German producer churns out textbook minimalism and Holger Flinsch has opted for an alternate path on ‘Hexenlaub’, the highlight of this split release, where he merges skippy beats with tranced-out chords and a curious freeform jazz aesthetic.
2005-11-16
Not as strong as its predecessor, but ‘Part 2’ is notable for Putsch 79 and Alden Tyrell’s spaced out melodic Italo and the majestic claps and nagging bass of Orgue Electronique’s electronic take on Chicago house on ‘Here I Come’.
2005-11-16
Woody McBride dusts down the bandanas for the third ‘Acid’ episode. Mike Acid delivers bass sucker-punches on ‘Ultra Disko’; McBride hits hard with the pulsing tones of ‘Put A Smile On Your Face’. However, the undisputed heavyweight is Bryan Zentz, whose combination of razor-sharp claps and frequency shifting 303 lines is as inspirational as a Phuture classic.
2005-11-02
Not an official release in the strictest sense, this in-store sampler serves as a timely reminder – if one were needed - of the quality, variety and commercial potential of the current batch of homegrown releases.
2005-10-26
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