Musically, the album is a pretty mellow affair, with none of the rip-roaring blues stompers of yore. Instead, what we’re presented with is a suite of laidback, at times almost ambient, pieces that slowly work their magic, as opposed to surging from the speakers. To vary the dynamic, E throws in a few upbeat electro numbers such as ‘Baby Loves Me’ but for the most part Tomorrow Morning is an exercise in tasteful understatement. Although the album may lack a bona fide classic Eels track like ‘Susan’s House’, ‘Your Lucky Day In Hell’ or ‘Souljacker Pt.1’, it nonetheless makes for very enjoyable listening. Nine albums in and Mr E still hasn’t produce a dud. More power to him.