But such moments feel like aberrations on a record where the mood is blissed-out, occasionally euphoric and RiRi the trainee porn star rarely gets a look-in. Even the show-stopper ballad, ‘We All Want Love’ (which almost but doesn’t quite sample the intro from Red Hot Chili Peppers’ ‘Under the Bridge’), is celebratory rather than bombastically maudlin, the default emotional setting for pop divas in lung-buster mode recently.