Live review at The 100 Club, London
Davey rocks out leaving all in no doubt that the 100 Club has hosted another potentially historic night.
Steve Cummins
Shabby, dark and wonderfully dingy, there are few music venues in the world as undeniably romantic and historic as The 100 Club. Its very name sparks images of generations mesmerised by jazz, entranced by Northern soul, and contemplating revolution as punk exploded within its four walls. With a constant stream of cigar smoke and its décor of red, red, red, its very demeanour cultivates greatness. A special venue; tonight it hosts a special talent.
Cathy Davey is very much a rising star. This may be her first headline show in London but word is certainly out. Her debut single ‘Clean And Neat’ has been a constant on alternative radio stations and her multitude of high-profile support slots have helped to cultivate a growing fan-base. Such is the demand for tickets to the show that the touts are out in force harassing half of Oxford Street for anyone “buying or selling”.
Shortly after ten o’clock, Davey takes the stage to a multitude of camera flashes. As she prepares to launch in to ‘Yak Yak’, she takes a quick look at the crowd before her trademark nerves kick in and her attention turns to the floor. It’s a stark contrast from the confidence in her voice as she belts out ‘Hammerhead’, ‘Swing It’ and ‘Clean And Neat’ to boisterous applause. Half way into the set and she’s in fine fettle, even somewhat shocked at how well the audience response is to material only just released. ‘Coldman’s Nightmare’ is a particular highlight with Davey seductively purring out the line ‘I’m always thinking of you’. It’s her vocal style, transforming from temptress to angelic child, that is most startling. Closer ‘Come Over’ ends the night on a high as Davey rocks out leaving all in no doubt that the 100 Club has hosted another potentially historic night.
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