Tackling ‘Tearing And Breaking’ Phil Collins – didn’t he retire? – captures the quicksilver lilt of the original whilst staying clear of mere pastiche; The Swell Season’s rendering of ‘I Don’t Want To Know’ conveys a tingle-down-the-spine intimacy. Stepping confidently outsize his comfort area, Smith, meanwhile, tackles the potentially tricky ‘Small Hours’, a song which Martyn recorded to such perfection it is difficult to see where another artist could take it. But by raising the tempo a tad and making the arrangements more complex, The Cure man carries the day. As the album title suggests, somewhere up there, the big man would surely approve.